termbases.eu
Public termbases
Sign up
Login
English
German
FILMTERM
English - Estonian - Finnish - Latvian - Portuguese - French - Lithuanian
16571 terms
Dictionary
Terms
Sources
Subjects
English
Estonian
Finnish
Latvian
Portuguese
French
Lithuanian
⇆
English
Estonian
Finnish
Latvian
Portuguese
French
Lithuanian
Subject
art department
cinematography
directing
editing
genre
history
job titles
production
distribution
screenwriting
narratology
screenplay format
transitions
dramaturgy
sound
theory
More
Source term conditions
Concept conditions
Term
LIKE ...%
LIKE %...
LIKE %...%
IN ()
NOT LIKE %...%
LIKE
NOT LIKE
=
!=
<
<=
>
>=
REGEXP
NOT REGEXP
''
!= ''
IS NULL
IS NOT NULL
Subject
LIKE ...%
LIKE %...
LIKE %...%
IN ()
NOT LIKE %...%
LIKE
NOT LIKE
=
!=
<
<=
>
>=
REGEXP
NOT REGEXP
''
!= ''
IS NULL
IS NOT NULL
Source
=
All
Abrams, M. H. & Harpham, G. G. (2012). A Glossary of Literary Terms, Tenth Edition. Boston, MA: Wadsworth, Cengage learning.
Alberstat, Philip (2004). The Insider’s Guide to Film Finance. Focal Press.
Austin Community College. (2014). Glossary. Retrieved 2017, November 28, from http://www2.austincc.edu/sbramme2/Glossary.htm
BFI Screenonline. (2014). Glossary. Retrieved 2017, November 28, from http://www.screenonline.org.uk/education/glossary.html
Bal, M. (2009). Narratology: Introduction to the Theory of Narrative. Toronto; Buffalo; London: University of Toronto Press.
Baldick, C. (2001). The Concise Oxford Dictionary of Literary Terms. New York, NY: Oxford University Press Inc.
Barnwell, Robert G. (2019). Guerilla Film Marketing. Focal Press, Routledge, New York: Tyler&Francis.
Barthes, R. (1966). Introduction à l’analyse structurale des récits. Communications 8, 1–27.
Bordwell, David: Principles of narration. In: Philip Simpson ... [et al.] (eds.): Film theory: critical concepts in media and cultural studies. Vol. 2. London [etc.]: Routledge, 2004, 5. 245-267. [Ursprünglich in: David Bordwell: Narration in the fiction
Browne, Steven E. (2007). High Definition Postproduction: Editing and Delivering HD Video. Focal Press, Elsevier.
Burgoyne, S., & Downey, P. (2012). Thinking Through Script Analysis. Newburyport, MA: Focus Publishing, pp. 207-212.
Chatman, S. (1990) Coming to Terms: the rhetoric of narrative in fiction and film. Ithaca, NY: Cornell University Press.
Costello, J. (2004). Writing a Screenplay. Harpenden, UK: Pocket Essentials, pp. 157-160.
Cuddon, J. A. (1999). Penguin Dictionary of Literary Terms and Literary Theory. Harmondsworth, UK: Penguin Books.
Dancyger, K & Rush, J. (2013). Alternative scriptwriting: beyond the Hollywood formula. Burlington, MA: Focal Press.
Dictionary of Media Studies (2006). London: A & C Black.
Dictionary.com
Dirks, Tim (2019). Film Terms Glossary Illustrated. AMC Filmsite. https://www.filmsite.org/filmterms.html (retrieved 26.01.2019)
Donaldson, Michael C. ; Callif, Lisa A. (2014). Clearance & Copyright (4th edition). Silman-James Press.
Egri, L. (1960). The art of dramatic writing: its basis in the creative interpretation of human motives. New York, NY: Simon and Schuster.
FIAF (2019). International Federation of Film Archives. Glossary of Filmographic Terms.
FILMTERM. Tallinna Ülikooli Balti filmi, meedia, kunstide ja kommunikatsiooni instituudi filmikunsti terminikomisjon. Veiko Vaatmann, Elen Lotman, Margit Keerdo-Dawson, Jaak Lõhmus, Greta Varts, Margit Maran, Kristiina Davidjants, Hagi Šein
Field, S. (1984). Screenplay: the foundations of screenwriting. New York, NY: Bantam Dell.
Film-North (2009). Glossary. Retrieved 2017, November 28, from http://afronord.tripod.com/glossary.html
Fludernik, M. (2009). An Introduction to Narratology. London; New York: Routledge.
Friedmann, J., & Walker, C. (2012). The Insider's Guide to Writing for Television. Richmond, UK: Trotman, pp. 261-270.
Golden, L. (1973). The Purgation Theory of Catharsis. The Journal of Aesthetics and Art Criticism, 31(4), pp. 473-479. DOI: 10.2307/429320
Griffiths, K. (2015). The Art of Script Editing: A Practical Guide to Script Development. Harpenden, UK: Kamera Books, lk.180-206.
Grove, E. (2009). Raindance Writers' Lab: Write + Sell the Hot Screenplay. Oxford, UK; Burlington, MA: Focal Press, pp. 251-258.
Gulino, P. J. (2004). Screenwriting: The Sequence Approach. New York, NY; London, UK: Continuum.
Haddad, M. (2005). The Screenwriter’s Sourcebook: A Comprehensive Marketing Guide for Screen and Television Writers. Chicago, IL: Chicago Review Press, pp. 339-344.
Herman, D. (2009). Basic Elements of Narrative. Chichester, U.K.; Malden, MA: Wiley-Blackwell.
Hiltunen, A. (2002). Aristotle in Hollywood: The Anatomy of Successful Storytelling. Bristol, UK: Intellect Books.
Honthaner, Eve Light (2010). The Complete Film Production Handbook (Fourth Edition). Focal Press, Elsevier INC.
Howard, D & Mabley, E. (1993). The Tools of Screenwriting: A Writer's Guide to the Craft and Elements of a Screenplay. New York, NY: St Martin's Press.
Hühn, P. (2011). Event and Eventfulness, Paragraph 1. In Hühn, Peter et al. (Eds.): the living handbook of narratology. Hamburg: Hamburg University. Retrieved 2017, November 28, from http://www.lhn.uni-hamburg.de/article/event-and-eventfulness
Iglesias, K. (2005). Writing for Emotional Impact: Advanced Dramatic Techniques to Attract, Engage, and Fascinate the Reader from Beginning to End. Livermore, CA: WingSpan Press.
International Screenwriters' Association. (2017) Guides & Resources. Glossary for Screenwriting Terms. Retrieved 2017, November 28, from https://www.networkisa.org/links-resources-type.php?id=20
Jack, Keith; Tsatsulin, Vladimir (2002). Dictionary of Video and Television Technology. Elsevier Science (USA).
James, L. M. (2009). How to Write Great Screenplays and get them into Production. Oxford, UK: How To Books, pp. 177-184.
Kellison, Cathrine (2006). Producing for TV and Video A Real-World Approach. Focal Press.
Laszlo, Andrew (2000). Every Frame a Rembrandt Art and Practice of Cinematography. Focal Press, Elsevier.
Lavandier, Y. (2005). Writing Drama: A Comprehensive Guide for Playwrights and Scriptwriters. France; Le Clown & L'enfant. lk. 533-547.
LoBrutto, Vincent (2002). The filmmaker’s guide to production design. New York: Allworth Press.
Lothe, J. (2000). Narrative in Fiction and Film: An Introduction. New York, Ny: Oxford University Press.
Mamer, Bruce (2009). Film Production Technique: Creating the Accomplished Image, Fifth Edition. Wadsworth, a part of Cengage Learning.
Maran, Margit (2007). Filmiterminid ajakirjas
Margolin, U. (2012). Narrator. In Hühn, Peter et al. (Eds.): the living handbook of narratology. Hamburg: Hamburg University. Retrieved 2017, November 28, from http://www.lhn.uni-hamburg.de/article/narrator
Marich, Robert (2013). Marketing to moviegoers. Southern Illinois University Press/ Carbondale and Edwardsville.
Marks, D. (2009). Inside Story: The Power of the Transformational Arc: The Secret to Crafting Extraordinary Screenplays (Professional Media Practice). London, UK: A & C Black Publishers Ltd., pp. 329-334.
McKee, R. (1997). Story: Substance, Structure, Syle, and the Principles of Screenwriting. New York, NY: HarperCollins.
Meister, C. J. (2011). Narratology. In Hühn, Peter et al. (Eds.): the living handbook of narratology. Hamburg: Hamburg University. Retrieved 2017, November 28, from http://www.lhn.uni-hamburg.de/article/narratology
Merilai, Arne; Saro, Anneli; Annus, Epp (2003). Poeetika. Gümnaasiumiõpik. Tartu: Tartu Ülikooli kirjastus.
Niederhoff, B. (2011). Focalization. In Hühn, Peter et al. (Eds.): the living handbook of narratology. Hamburg: Hamburg University. Retrieved 2017, November 28, from http://www.lhn.uni-hamburg.de/article/focalization
Pavis, Patrice; Shantz, Christine (1999). Dictionary of the Theatre: Terms, Concepts, and Analysis. University of Toronto Press, Scholarly Publishing Division.
Pier, J. (2011a). Narrative Levels. In Hühn, Peter et al. (Eds.): the living handbook of narratology. Hamburg: Hamburg University. Retrieved 2017, November 28, from http://www.lhn.uni-hamburg.de/article/narrative-levels-revised-version-uploaded-23-april-2
Pier, J. (2011b). Metalepsis. In Hühn, Peter et al. (Eds.): the living handbook of narratology. Hamburg: Hamburg University. Retrieved 2017, November 28, from http://www.lhn.uni-hamburg.de/article/metalepsis-revised-version-uploaded-13-july-2016
Prince, G. (1971). Notes toward a Characterization of Fictional Narratees. Genre 4, 100–05. Artikli vormistus
Prince, G. (1987). A Dictionary of Narratology. Lincoln; London: University of Nebraska Press.
Prince, G. (2011). Reader. In Hühn, Peter et al. (Eds.): the living handbook of narratology. Hamburg: Hamburg University. Retrieved 2017, November 28, from http://www.lhn.uni-hamburg.de/article/reader
Rabiger, Michael (2008). Directing Film Techniques and Aesthettics [Fourth Edition]. Focal Press, Elsevier.
Rahmel, Dan (2004). Nuts and Bolts Filmmaking Practical Techniques for the Guerilla Filmmaker. Focal Press, Elsevier.
Reeve, J. (2008). Understanding Motivation and Emotion. Hoboken, NJ: Wiley.
Riley, C. (2005). The Hollywood Standard. The Complete and Authoritative Guide to Script Format and Style. Studio City, CA: Michael Wiese Productions.
Rizzo, Michael (2005). The Art Direction Handbook for Film. Focal Press, Elsevier
Schmid, W. (2013a). Implied Author. In Hühn, Peter et al. (Eds.): the living handbook of narratology. Hamburg: Hamburg University. Retrieved 2017, November 28, from http://www.lhn.uni-hamburg.de/article/implied-author-revised-version-uploaded-26-january-2
Schmid, W. (2013b). Implied Reader. In Hühn, Peter et al. (Eds.): the living handbook of narratology. Hamburg: Hamburg University. Retrieved 2017, November 28, from http://www.lhn.uni-hamburg.de/article/implied-reader
Schmid, W. (2013c). Narratee. In Hühn, Peter et al. (Eds.): the living handbook of narratology. Hamburg: Hamburg University. Retrieved 2017, November 28, from http://www.lhn.uni-hamburg.de/article/narratee
Schönert, J. (2011). Author. In Hühn, Peter et al. (Eds.): the living handbook of narratology. Hamburg: Hamburg University. Retrieved 2017, November 28, from http://www.lhn.uni-hamburg.de/article/author
Screenwriting.info (2017). Glossary. Retrieved 2017, November 28, from http://www.screenwriting.info/glossary.php
Scriptreaderpro
Sherborne, M. (2005). Nineteen Eighty-Four: York Notes Advanced. London: Longman, York Press.
Simon, Mark (2007). Storyboards, Motion in Art [Third Edition]. Focal Press, Elsevier.
Snyder, B. (2005). Save the Cat!: The Last Book on Screenwriting You'll Ever Need. Studio City, CA: Michael Wiese Productions.
TV Tropes. Pet the Dog. Retrieved 2018, May 19, from http://tvtropes.org/pmwiki/pmwiki.php/Main/PetTheDog
Tapply, W. G. (2000). The Elements of Mystery Fiction. Scottsdale, AZ: Poisoned Pen Press.
Tierno, M. (2002). Aristotle's Poetics for screenwriters: storytelling secrets from the greatest mind in western civilization. koht: Hachette Books.
Truby, J. (2007). The Anatomy of Story: 22 Steps to Becoming a Master Storyteller. New York, NY: Faber and Faber.
Truffaut, F. (1983). Hitchcock. Dialogue between Truffaut and Hitchcock. New York: Simon & Schuster, Inc.
Uva, Michael G. (2014). The Grip Book [Fift Edition]. New York, London: Focal Press.
Vogler, C. (2007). The Writer's Journey: Mythic Structure for Writers. Studio City, CA: Michael Wiese Productions.
WGGB (2009). Writing Film: A Good Practice Guide. London, UK: Writers' Guild of Great Britain. Retrieved 2017, December 13, from https://writersguild.org.uk/wp-content/uploads/2015/02/WG_film_Oct09_LR.pdf
Wales, Lorene M. (2017). The Complete Film and digital Production (Third Edition). Focal Press, Routledge.
eForeword (2002). In: Forster E. M. Aspects of the Novel. RosettaBooks, LLC.
Б. Томашевский. Теория литературы. (Поэтика). Л., 1925, с. 137.
Status
=
!=
All
New
Rejected
Approved
Plural
LIKE ...%
LIKE %...
LIKE %...%
IN ()
NOT LIKE %...%
LIKE
NOT LIKE
=
!=
<
<=
>
>=
REGEXP
NOT REGEXP
''
!= ''
IS NULL
IS NOT NULL
Genitiv
LIKE ...%
LIKE %...
LIKE %...%
IN ()
NOT LIKE %...%
LIKE
NOT LIKE
=
!=
<
<=
>
>=
REGEXP
NOT REGEXP
''
!= ''
IS NULL
IS NOT NULL
Gender
=
!=
All
Masculine
Feminine
Neuter
Other
Pronunciation
LIKE ...%
LIKE %...
LIKE %...%
IN ()
NOT LIKE %...%
LIKE
NOT LIKE
=
!=
<
<=
>
>=
REGEXP
NOT REGEXP
''
!= ''
IS NULL
IS NOT NULL
Clear form
Search
All
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
$
All
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
$
All
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
$
1
2
3
4
5
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
Character delineation test
–
character description
–
(
character introduction
),
tegelaskuju kirjeldus
,
tegelaskuju tutvustus
character development
–
tegelaskuju areng
character development (creation)
–
tegelaskuju loomine
character flaw
–
tegelaskuju puudus
,
karakteriviga
character generator
–
character introduction
– vt
character description
character name
–
tegelaskuju nimi
character paradox
–
vasturääkivus tegelaskujus
character psychology
–
tegelaskuju psühholoogia
character relationships
–
tegelassuhted
character spine
–
läbiv eesmärk
character study
–
characteristic curve
–
densitomeetriline kurv
characterization
–
karakteriseerimine
,
tegelaskuju iseloomustamine
,
karakteri avaldumine
charge scenic
–
maalimeister
Charge-coupled device
–
CCD
charm song
–
cheat (dialogue editing)
–
cheat (Foley)
–
cheat a script
–
vormistussohk
cheat cut
–
cheat shot
–
cheater cut
–
check print
–
Check request
–
Checking the gate
–
chiaroscuro
–
chick flicks
–
chief hairstylist
–
(
head of hairdressing department
),
meisterjuuksur
Chief Lighting Technician
–
chief lighting technician
– vt
gaffer
Child Performers Education and Trust Act of 2003
–
Children's Advertising Review Unit (CARU)
–
Choreographer
–
choreographer
–
koreograaf
chorusing
–
chroma
–
chroma curve
–
chroma gain
–
chroma key
–
chroma key
chroma keying
–
chroma wheel
–
chromatic
–
chrominance
–
chronography
–
chronological order
–
ajaline järjestus
cinema verité
– 1)
2)
cinema verité
cinemascope
–
CinemaScope
– 1)
CinemaScope
2)
cinematographer
–
Operaator
,
operaator-lavastaja
,
peaoperaator
cinematography
–
operaatoritöö
cinepak
–
Cinerama
–
circle of confusion
–
hajumisring
Cite
–
clapboard
–
klapp
Clapboard
–
Klapp
120 ... 180 / 509
Contact
© 2007 - 2020 Werkdata OÜ